Following the film director’s orders, Mori intently observed bar hostesses as they worked on the streets of Ginza. One time, she had to create a costume for a sexy geisha character.
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From the mid-1950s to the mid-1960s, along with renowned film directors and popular movie stars, Mori’s costume creations also played a key role in the golden age of the Japanese film industry. “I wanted beautiful clothes to wear, so I used a sewing machine and did my best to be creative.” Her taste was inherited from her father, a medical practitioner and lover of art and stylish fashion.Īfter the war, Mori became bored with being a housewife and started on her path as a designer. They longed for the elegant ballroom gowns of the story. While living in fear of death due to the air raids in Tokyo, she and her college friends doing service as laborers would read a tattered copy of Gone With the Wind. The designer graced the world like a butterfly, but was actually a woman with a rebellious spirit.īehind Mori’s pursuit of beauty were her harrowing experiences during the war.
Until 2021, she also used her hands to create costumes for the opera. Mori often brought attention to the threat faced by these sectors. And as she said, for 27 years she “blazed on only looking ahead.”īefore she knew it, both the haute couture industry and the Japanese handicrafts sector – which supported kimono culture – were faltering. She was the only Japanese designer to be officially listed as a member in the world of haute couture in Paris - the platform where the ultimate in handcrafted creations come together.įrom exquisitely beaded embroideries and feather decorations to elegant drapes, Mori introduced Eastern beauty – like kimono and the butterfly pattern she became known for – to the traditional French fashion culture. Mori has always emphasized the importance of transmitting the art of handwork to future generations. Hanae Mori was a pioneering Japanese fashion designer and Vice-Chairwoman of the Japan Art Association, which sponsors The Praemium Imperiale international arts awards. A public memorial service may be held, but details are undecided.“When we stop making things with our hands, I feel our existence becomes insubstantial.” Her grandchildren Izumi Mori and Hikari Mori are fashion models. She is survived by two sons, who have their own business, a daughter, seven grandchildren, and several great-grandchildren, the Hanae Mori office said. In 2002, she was awarded the Legion of Honor from the French government. She also designed for the opera, including “Madame Butterfly” in Milan in 1985, and the Noh theater. The elaborate costumes she designed for singer Hibari Misora are also well-known among fashion buffs. Reputed for infusing Japanese elements inspired by the kimono, Mori designed costumes for hundreds of Japanese films, in the 1950s and 1960s, dressing star actresses like Mie Kitahara, Sayuri Yoshinaga and Shima Iwashita, in some of the most renowned cinematic pieces the era produced. She opened her Paris studio in 1977 and built an international business that extended to perfumes, handbags and publishing as well as fashion.
Her first New York show, held in 1965, was acclaimed as “East meets West.” She opened her studio in 1951 and was a pioneer of a generation of Japanese designers who became globally prominent. Her umbrellas and scarves, often decked with colorful butterflies, were a status symbol with working women. With her motto, “You feel decent, no matter where in the world you wear them,” Mori wanted to give confidence and dignity to those wearing her designs. The uniforms were not flamboyant like her runway designs, but tastefully professional, appropriate for their roles. Mori also designed uniforms for Japan Airlines flight attendants, bank clerks, high school students and the Japanese team at the Barcelona Olympics. She had been examined by a doctor at her home, but no specific cause of death was given.Įmpress Masako wore a Hanae Mori wedding gown adorned with rose-petal patterns when she married Emperor Naruhito, then the crown prince, in 1993. 11, a few days after developing a mild fever, according to the Hanae Mori Office. Mori symbolized the rise of Japan as a modern, fashionable nation and the rise of the working woman. Designer Hanae Mori, known for her elegant signature butterfly motifs, numerous cinema fashions and the wedding gown of Japan’s empress, has died, her office said Thursday.
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